Kawamura makes the point explicit late in the proceedings, with a hallucinatory outdoor sequence that briefly removes us from the train station altogether—easily the story’s most glaring structural and stylistic anomaly.
—
Justin Chang,
New Yorker,
10 Apr. 2026
This lets gravity do the work and removes dirt and cleaner cleanly.
—
Lauren Jarvis-Gibson,
Charlotte Observer,
9 Apr. 2026
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